About Photography
For myself, I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.
—JAMES JOYCE, Paris, 1921
Joyce is right, the universal is contained in the particular. To my way of thinking, there’s no better way to capture the particulars of this world than with the medium of photography. The ability of a camera to capture a slice of the world in front of you is interesting in and of itself. But great photographs do more than that; their particulars point to universals.
I photograph to explore the psychological depth of our inhabited landscape with the aim of capturing the emotions that flow under the surface of life. To a large degree I believe the ability to sense suffering, love, and the perception of beauty is what makes us human. In our increasingly isolated, technology-driven culture, my photographs convey such commonalities of experience and in doing so, remind us that we are not alone.
I exhibit my work and make books so my photographs can be shared with the world from which they were made. These images are about photography as much as they’re about what’s contained in the frame.
The mind/heart sees; the intuitive finger releases the shutter; and time is frozen in a way only a photograph makes possible. The result is the waitress’ hand will always hold the purple and yellow BIC pen over the green tab slip while Christ forever suffers above the Coke dispenser. Who could have thought this scene was possible? When it comes to finding particulars that point to universals, I’ve found the world to be a generous place.
—GEOFFREY PECKHAM
